Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Risograph
29.7 x 42 cm
2025
My work Misty captures a soft, vulnerable feeling inspired by the jazz song. Painted on grey board, it portrays myself lying on the floor. I wanted to hold that quiet, dizzy helplessness you get just from holding someone’s hand — a private, fleeting emotional state I try to catch with loose, unpolished brushwork.
Is It the Piglet Sleeping?, made in risograph, explores bodies and the simple act of looking. I was drawn to how the human figure and the piglet visually mirror one another. Pink, red and black tones strengthen this visual link. As I gaze at the man in the print, he gazes toward the piglet. There is no fixed story here. Instead, I focus purely on shape, colour and this mutual observing.
Across both pieces, I chase hard‑to‑describe inner sensations and quiet visual connections. I use drawing and print to freeze small, unspoken moments that might otherwise fade away.
Risograph
29.7 x 42 cm
2025
My work Misty captures a soft, vulnerable feeling inspired by the jazz song. Painted on grey board, it portrays myself lying on the floor. I wanted to hold that quiet, dizzy helplessness you get just from holding someone’s hand — a private, fleeting emotional state I try to catch with loose, unpolished brushwork.
Is It the Piglet Sleeping?, made in risograph, explores bodies and the simple act of looking. I was drawn to how the human figure and the piglet visually mirror one another. Pink, red and black tones strengthen this visual link. As I gaze at the man in the print, he gazes toward the piglet. There is no fixed story here. Instead, I focus purely on shape, colour and this mutual observing.
Across both pieces, I chase hard‑to‑describe inner sensations and quiet visual connections. I use drawing and print to freeze small, unspoken moments that might otherwise fade away.