Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Porcelain
5 x 14 x 10 cm
2026
My current practice explores the textures, forms, and emotional dimensions of fragility. Working primarily through ceramics, as well as paper and embroidery, my practice emerges from lived human experience and examines how words, relationships, messages, and encounters can impact, trigger, wound, and push us towards states of precarity, doubt, and vulnerability.
Much of my recent work has developed through explorations of language and writing. Through processes of over-writing, redaction, and distortion, I create images and forms that retain fragile traces of memory, diary, and narrative, while resisting clear articulation or comprehension. In this sense, my work reflects both the instability of language and the apparent delicacy of the materials.
At the same time, ideas of control, protection, safety, and containment run throughout the work. From my use of lists, to the precarious lines, grids, and monochrome palette, my practice gestures towards the systems and structures we create in an attempt to impose order and maintain control.
My work ultimately holds these tensions in balance: vulnerability and resilience, fragility and control. These paradoxes sit at the centre of the work, reflecting something fundamental about the human condition.
Porcelain
5 x 14 x 10 cm
2026
My current practice explores the textures, forms, and emotional dimensions of fragility. Working primarily through ceramics, as well as paper and embroidery, my practice emerges from lived human experience and examines how words, relationships, messages, and encounters can impact, trigger, wound, and push us towards states of precarity, doubt, and vulnerability.
Much of my recent work has developed through explorations of language and writing. Through processes of over-writing, redaction, and distortion, I create images and forms that retain fragile traces of memory, diary, and narrative, while resisting clear articulation or comprehension. In this sense, my work reflects both the instability of language and the apparent delicacy of the materials.
At the same time, ideas of control, protection, safety, and containment run throughout the work. From my use of lists, to the precarious lines, grids, and monochrome palette, my practice gestures towards the systems and structures we create in an attempt to impose order and maintain control.
My work ultimately holds these tensions in balance: vulnerability and resilience, fragility and control. These paradoxes sit at the centre of the work, reflecting something fundamental about the human condition.